Powers of Ten and Cosmic View

Powers of Ten is a short film made by the designer team of Charles and Ray Eames to illustrate the vast scale of the universe, from the outermost galaxies to the innermost nucleus of an atom, with human scale approximately in the middle. Starting from a look at picnickers on the shore of Lake Michigan, the scene zooms out by a factor of 10 every 10 seconds, from a scale of 1 meter (10⁰) to a scale of 10²⁴ meters. Then it zooms back to the picnic, and then inwards by a factor of 10 every 10 seconds until it reaches the nuclear scale of 
10^-16 meters.

I saw a black-and-white predecessor of this film in my first-year physics course at Cornell in 1968, titled A Rough Sketch for a Proposed Film Dealing With the Powers of Ten. I was kind of blown away by it.

The best version of this film is this finished version of the Rough Sketch, now simply titled Powers of Ten, from 1977. The narration was by noted physicist and public intellectual Philip Morrison.

Other takes on the same theme include this 1996 version, also titled Powers of Ten, an IMAX film narrated by the omnipresent Morgan Freeman, starting on St. Mark's Square, Venice,

and this 1968 animated Cosmic Zoom from the National Film Board of Canada:

Every year I try to do a mini-celebration of Powers of Ten Day on Oct. 10, as I did again last month. When I worked in student life at Franklin & Marshall College in 2010, I organized a Powers of Ten event at 10:10 pm, on 10/10/10, with a showing of the film, or course.

This year I learned that these films emanate from a concept by Kees Boeke, as illustrated in his 1957 book, Cosmic View. Boeke, a Dutch reformist educator, Quaker missionary and pacifist, seems to have been a very interesting and committed individual. His idea for the scale of the universe theme was acknowledged in a couple of the films above.

You can see the pages of the Boeke's book Cosmic View at this website. Just as the Powers of Ten film was narrated by physicist Philip Morrison, this book includes an introduction by Nobel prize winner Arthur Compton. 

Jacket of Cosmic View (1957)

Is it coincidental that this book was published during the International Geophysical Year? At the dawn of the space age, I think that people had an increasing awareness and wonder at the scales of the universe, and it was certainly a challenge for educators to represent this.

I have a couple of Eames souvenirs. There is a flipbook of Powers of Ten:

Then there is our Eames lounge chair and ottoman. It is an iconic piece of mid-century (20th) furniture, first released in 1956, just before the IGY. About 10 years ago, we bought this one, and despite needing a repair due to a design flaw with the aging epoxy, it suits us fine. The seller told us that our chair once belonged to 1984 VP candidate Geraldine Ferraro, although there is no proof of that.

And finally, the philatelic items. I have the 2008 sheet of 16 commemorative stamps showcasing the important contributions  of Charles and Ray Eames to American design. The Eames lounge chair is shown in one of the stamps., top row, second from left.

Charles and Ray Eames sheet, Scott catalog 4133

And I have a first day cover with the stamp of the chair and a corresponding cachet. 

Scott catalog stamp 4333f on a first day cover, canceled in Santa Monica on June 17, 2008 

The place of issue for these stamps was Santa Monica, California, where the Eames's had a house and studio. In 2014, I visited this Eames House in Santa Monica Canyon on a field trip outing during the International Symposium on Archaeometry held at the Getty Museum and UCLA in Los Angeles.

My photo of the exterior of the Eames House and Studio

Happy Thanksgiving, everyone.